Donatello was one of greatest Italian Renaissance artists, noted especially for his sculptures in marble, bronze, and wood. His sculpted figures were some of the first since antiquity to represent anatomy correctly—though some late works were slightly exaggerated—and to suggest a sense of individuality.
- David. Date created: 1440s (exact date unknown) …
- Saint John the Evangelist. Date Created: 1409-1411. …
- Bust of Niccolo da Uzzano. Date Created: 1432. …
- Saint Mark. Date Created: 1411-1413. …
- The Penitent Magdalene. …
- Equestrian statue of Gattamelata. …
- Saint George. …
- The Feast of Herod.
Donatello – 16 artworks – sculpture.
Donatello first appears in the artistic record of the Renaissance between 1404 and 1407 CE as an apprentice or assistant to Lorenzo Ghiberti (1378-1455 CE) who famously produced the bronze doors of the Baptistery in Florence.
Donatello’s depiction of St. George seems to reflect the idea of standing tall against an approaching enemy. It was a spirit that must have been shared by Florentines of the day on account of contemporary events, and Donatello used it as the source for the disposition of his statue.
Donatello’s technique for carving reliefs, known as schiacciato, revolutionized existing relief techniques. Schiacciato, or shallow relief, was a way of carving marble so as to give a three-dimensional impression on a flat surface.
Donatello made St. Mark’s head and hands and torso over-sized or elongated a bit so that they compensated for the angle that people viewed this from. Donatello was thus taking the viewing angles of the statue into account in his approach, and this is something that other artists would pick up on in the Renaissance.
Michelangelo was a sculptor, painter and architect widely considered to be one of the greatest artists of the Renaissance — and arguably of all time. His work demonstrated a blend of psychological insight, physical realism and intensity never before seen.
(1) A reverent revival of Classical Greek/Roman art forms and styles; (2) A faith in the nobility of Man (Humanism); (3) The mastery of illusionistic painting techniques, maximizing ‘depth’ in a picture, including: linear perspective, foreshortening and, later, quadratura; and (4) The naturalistic realism of its faces …
Like other Florentine sculptors such as Lorenzo Ghiberti and Benvenuto Cellini, Donatello received his early artistic training in the workshop of a goldsmith. His first major exposure as an artist arrived when he competed for the famous 1401 competition for the design of the Baptistery doors in Florence.
Donatello’s work was highly influenced by the revival of interest in the sciences, mathematics, and architecture that was taking place in Florence. This included the use of one point perspective to create a new kind of bas-relief for architectural works and a precise anatomical correctness for his figures.
Donatello was noted for his superb command of sculpture. One of the foremost sculptors of the Italian Renaissance, Donatello was a master of both marble and bronze and had an extensive knowledge of ancient sculpture. Donatello also developed his own style of relief known as schiacciato (“flattened out”).
Donatello’s bronze David, now in the Bargello museum, is Donatello’s most famous work, and the first known free-standing nude statue produced since antiquity.
The experience gave Donatello a deep understanding of ornamentation and classic forms, important knowledge that would eventually change the face of 15th-century Italian art. His association with Brunelleschi likely influenced him in the Gothic style that can be seen in much of Donatello’s early work.
Donatello, St. Mark, 1411-13, marble, 93″ (236 cm), Orsanmichele, Florence Speakers: Dr.
Donatello’s Saint Mark (1411–1413) is a marble statue that stands approximately seven feet and nine inches high and is displayed in the museum of the Orsanmichele church, Florence.
Donatello did not choose to create an idealized rendition of legend. He decided to show the wisdom of an aging prophet. His St. John has his hand placed carefully atop a book of scripture as his eyes seem to search for some deeper truth.
Mona Lisa, also called Portrait of Lisa Gherardini, wife of Francesco del Giocondo, Italian La Gioconda, or French La Joconde, oil painting on a poplar wood panel by Leonardo da Vinci, probably the world’s most famous painting.
Michelangelo – 182 artworks – painting.
In late 1497, Cardinal Jean de Bilhères-Lagraulas, the French ambassador to the Holy See, asked Michelangelo to preemptively craft a large-scale Pietà for his tomb. The following year, Michelangelo began working on the sculpture, which he carved from a single block of Carrara marble, a material derived from Tuscany.
Renaissance art is marked by a gradual shift from the abstract forms of the medieval period to the representational forms of the 15th century. Subjects grew from mostly biblical scenes to include portraits, episodes from Classical religion, and events from contemporary life.
Both classical and Renaissance art focused on human beauty and nature. People, even when in religious works, were depicted living life and showing emotion. Perspective and light and shadow techniques improved and paintings looked more three-dimensional and realistic.
Primavera is a painting of Sandro Botticelli whose original name was Alessandro di Mariano Filipepi. The painting is also known as ‘Allegory of Spring’. It is believed that Botticelli is created this piece of art around 1482 and is said to be one of the prime examples of Renaissance art.
Raphael is probably most famous for his paintings, including Madonna in the Meadow (1505/06), School of Athens (c. 1508–11), Sistine Madonna (1512/13), The Transfiguration (1516–20), and Portrait of Baldassare Castiglione (c. 1514–15).
Very little is known about his personal life but stories recorded from his friend Vasari seem to indicate he was agnostic. This may account for his unique take on the religious iconography he was commonly commissioned to create.
In 1514, Pope Julius II hired Raphael as his chief architect. Around the same time, he completed his last work in his series of the “Madonnas,” an oil painting called the Sistine Madonna. Raphael died in Rome on April 6, 1520.
Donato di Niccolò di Betto Bardi, universally known as Donatello, was born in Florence around 1386 and died there in 1466. The powerful expressivity of his art made him the greatest sculptor of the early Renaissance.
- “Donatello” Was A Nickname. …
- Donatello Mastered Multiple Different Mediums For His Sculptures. …
- His Apprenticeship Placed Some Of His Work On The Florence Baptistery. …
- Considered One Of The Fore-Runners Of The Renaissance. …
- And Yet He Straddled Techniques Of Multiple Art Movements.