Who produced Daniel Blake?

It is very difficult to establish the exact production costs of ‘I, Daniel Blake’ although 16 Films Producer, Rebecca O’Brien, said it was a ‘modest amount’, even for a Ken Loach film. We know some of the funding it received (e.g. £300k from the BFI) and can estimate it to be around £2 million.

Among those getting involved was Veep creator and Death of Stalin director Armando Iannucci, who tweeted that the film was “based on real case studies, meetings with real claimants.” He added: “It’s a well-researched film, and is actually a surprisingly dispassionate account of what the benefits system is for many.

“I, Daniel Blake” is a great reminder of the things we often take for granted. If you choose to see this one — and it is well worth a look — you might want to make plans to get some ice cream or something after to cheer you up.

Why Not Productions is a public French film production company founded by producers Pascal Caucheteux and Grégoire Sorlat in 1990. Its main focus is French auteur cinema, but it also co-produces films from other countries. … As of 2011, the films had an average budget of five to six million euros.

The audience I, Daniel Blake is targeting is mainly adults and possibly teenagers.

I, Daniel Blake was released in 2016 and was directed by Ken Loach. The film was rated by the BBFC as a 15. … The film is classed as an independent film, due to the fact that it is a low budget film with a relatively unknown cast.

It’s no secret that Black Panther was marketed with an African American audience in mind. … Marvel and Disney also sought to advertise trailers for the film during television broadcasts of sports that have a strong African American following.

The film follows the struggle of character Daniel Blake, played by Dave Johns in his recovery of a serious heart attack. … During his recovery Blake is forced to come to terms with the fact that doctors have told him that after working all his life, he can no longer work.

Eventually the appeal arrives and Daniel’s adviser tells him he’s got a sound case so should get back everything he’s entitled to. The stress however is too much for Daniel, and he suffers a fatal heart attack before the hearing. He has a pauper’s funeral, with Katie reading the eulogy.

Paul Laverty praises UK distributor eOne for making I, Daniel Blake theatrically available to audiences priced-out by mainstream multiplexes… A scene from Ken Loach’s I Daniel Blake.

Globalization has created a favorable economic environment for Hollywood studios to market their movies on a global scale. Globalization allows Hollywood to establish a highly systematic procedure for movie production, distribution, and exhibition in both domestic and global markets.

I, Daniel Blake is an independent social realist film directed by renowned filmmaker Ken Loach (Kes, Raining Stones, Sweet Sixteen etc.). A UK/French co-production, it received funding from the BFI and BBC Films.

For the iconoclastic film director Ken Loach and his longtime screenwriting collaborator Paul Laverty, I, Daniel Blake represents their most accessible film ever.

Independent films are produced by smaller production companies. They do not follow the same formula as studio films. … Independent films are often designed to make you think about certain subjects or issues, and feature challenging storylines that are more realistic and less escapist than in studio films.

David Lean, in full Sir David Lean, (born March 25, 1908, Croydon, Surrey, England—died April 16, 1991, London), British film director whose literate epic productions featured spectacular cinematography and stunning locales. Lean was the son of strict Quaker parents and did not see his first film until age 17.

Black Panther, which cost $200 million to make before marketing, was a bold move on the part of Disney and Marvel Studios’ Kevin Feige.

Lexus hit the jackpot with the placement of its LC 500 in Black Panther when the film absolutely crushed at the box office.

As required, Compliance Managers informed Entertainment One that they would need to remove the use of very strong language and significantly reduce the number of uses of strong language in order for the film to be passed at the requested 12A.